Games based on licensed properties can sometimes cover up a multitude of sins by remaining close to their source material. Space Hulk: Deathwing is not one of those games. Although this shooter from French developer Streum On Studio boasts the grim atmosphere and brutal combat that the Warhammer 40,000 universe is known for, there are too many problems here for even the most hardcore fan to endure for long. For every impressive set piece and “wow” moment in combat, there are a dozen befuddling rules or mechanics that make you scratch your head in disbelief.
Of all the issues, tedium is the biggest offender. All nine levels of the campaign are slogs where you trudge down one corridor after another, pausing only to incinerate predictable waves of enemies. Beyond a few minor variations, enemy Genestealers come in two forms: ones that rush at you gnashing teeth and slashing claws, and hybrids that shoot at you from a distance with guns, rocket launchers, and psychic blasts. Bigger and tougher baddies are introduced during the campaign–including some bosses capable of shredding squads with ease–but by and large, the tactics you employ at the start of the game will carry you to the end.
On a positive note, battles are often as brutal as you’d expect from a Space Hulk game. There’s real weight to the thud of your weaponry and power armor as you stomp through dark corridors and chambers. Even the thump-thump-thump of the (relatively) lightweight storm bolter, the whir of an assault cannon, and the whoosh of a flamer are exhilarating because you feel like you’re doing real physical damage. Pounding on enemies with melee weapons is even more ferocious, if a bit chaotic and hard to follow, with the medieval-styled swords and hammers that send flurries of blood and flesh into the air.
Deathwing thankfully nails the look and atmosphere of the Warhammer 40,000 universe. It’s loaded with visual fan service like massive cathedrals, dissected bodies in laboratories, and humans wired into power systems. Everything is just as baroque and bloody as it ought to be, making for one of the most authentic video game interpretations of Warhammer 40,000’s striking aesthetic.
While everything does look great, there’s little room for interactivity. Aside from shooting gas lines into flaming geysers and opening, closing, sealing, and smashing doors, you can’t do much to your surroundings. There are no weapons, no ammo, no health packs, or any other goodies to collect. Objectives never involve anything more than killing lots of Genestealers, taking out a boss alien, blowing something up, or turning something off or on. You just follow the orders leading from one corner of each map to another until you wrap up the final battle.
Unfortunately, squad AI is a major problem. Your allies aren’t exactly dumb, but they’re limited in their abilities when it comes to choosing targets and taking cover.
Both the personality and texture of combat are vaguely reminiscent of the original Space Hulk PC games. You take the fight to the Genestealers in squads of three when playing with others online, or solo with bots filling out the ranks. Unfortunately, squad AI is a major problem. Your allies aren’t exactly dumb, but they’re limited in their abilities when it comes to choosing targets and taking cover. Trying to take out gun turrets is a huge exercise in frustration, as your pals tend to just stand in the open and get blasted until they die.
AI Space Marines are prone to shuffling in place, turning their backs on attacking enemies right in their faces, and standing in the middle of doorways when you’re trying to seal off a room full of aliens. Enemy mobs can easily overwhelm them, and they tend to stand their ground and shoot mindlessly in the face of bosses that destroy them in a matter of seconds. They don’t do anything on their own, either. You have to tell your apothecary marine to patch himself up when his health is low–otherwise he just lets himself die. A radial order menu allows you to give rudimentary commands like Follow, Defend, and Heal, but it’s impossibly clunky to use during combat unless your Deathwing trooper has a deathwish.
Playing co-op is better by far, but it’s currently tough to find a suitable squad. Either hosts are kicking people or there’s something wrong with the online code; it’s far more common to receive a server error message than it is to successfully enter a match.
Some core mechanics are also needlessly quirky. You can’t swap your loadouts on the fly, for example. To swap weapons, revive dead characters, and heal everyone up, you have to activate a Psygate that takes you back to your ship for some TLC. Unfortunately, you only have three of these per level, so it’s easy to exhaust them and find yourself at the end of a scenario with the wrong weapon for the battle at hand. This adds to the intensity of the game by ramping up the consequences every time you trigger a return for some new gear and healing, but it also forces you to start levels from the very beginning at times, which isn’t quite as welcome.
While it captures the look and feel of a bleak sci-fi world, numerous quirks and bugs make Space Hulk: Deathwing a guilty pleasure at best.
The game also crashes to the desktop fairly frequently. One of these crashes actually corrupted a save so that every time it reloaded, the mouse buttons and keyboard wouldn’t work. And when you aren’t forced to replay significant chunks of time, you may end up loading an autosave and begin in the middle of a firefight–an impossible situation and a demotivating outcome.
While it captures the look and feel of a bleak sci-fi world, numerous quirks and bugs make Space Hulk: Deathwing a guilty pleasure at best. Playing cooperatively with a couple of buddies helps smooth over some of these problems, but regardless, combat remains incessantly tedious. The one hope is that the fanatical Games Workshop community grabs hold of the game and starts modding, because the visuals, atmosphere, and ferocity of the combat could be harnessed and turned into something impressive. As is, even the most crazed Warhammer 40,000 or Space Hulk fan will have a tough time appreciating Space Hulk: Deathwing.
The original Gravity Rush had many positive qualities, but controlling Kat, its upbeat and unusually skilled hero, was the reason to play the game. With the ability to control her center of gravity, you could walk on walls and ceilings, and–most important of all–fly through a magnificent floating city in the clouds. The unusual gravity-based nature of Kat’s powers made the age-old concept of flight feel fresh and managed to carry the imaginative yet underdeveloped adventure. But by the end, with untapped potential and numerous unanswered questions hanging in the air, Gravity Rush felt like it needed a sequel to finish its tale.
More than just a simple follow-up, Gravity Rush 2 exceeds expectations, filling in lingering gaps while simultaneously telling a new story. It also crucially doubles down on depth and scale, significantly increasing the scope of the adventure and the number of optional missions. Like the first game, you spend most of your time peacefully flying around looking for key items and characters to move the story along. But when the alien-like Nevi appear, Kat turns full action superhero.
Kat can pick off small enemies or weaken large brutes from a distance by magically throwing inanimate objects, but you typically rely on her kick abilities to get the job done–quick-and-dirty combos on the ground and measured homing attacks in midair. Nevi have sensitive red orbs on their bodies, and while you’re required to target them to inflict damage, built-in aiming assists make your life a little easier.
Kat eventually learns two new “styles” that mix up her relationship with gravity. Rather than merely changing the direction of gravity and falling at a fixed speed, the Lunar style makes Kat move in a floaty manner, with persistent low gravity, and makes her auto-targeting more effective. It also gives her the ability to leap great distances. The Jupiter style allows Kat to hit harder, but she moves in a much more deliberate, weighty manner. Kat’s powers never feel lacking to begin with, but these additions give you a few new tools to wield during combat. Thankfully, you’re rarely forced to use one style over the rest, so you’re free to experiment and devise your own fighting style most of the time.
Fighting in midair in Gravity Rush 2 feels a lot like it did in the first game: exciting and unusual, and at the mercy of the camera. It’s relatively easy to look past this issue since the camera only gets temperamental on occasion, but during tense, prolonged battles, this issue isn’t as easy to reconcile.
More than just a simple follow-up, Gravity Rush 2 exceeds expectations, filling in lingering gaps while simultaneously telling a new story.
Kat’s story is reestablished months after the conclusion of the first game, though you spend quite a bit of time in new locations before reconnecting with her past. After the appearance of a mysterious gravity storm, Kat and her detective friend Syd are violently whisked away to a mining camp. Dusty, Kat’s feline guardian and the source of her power, is nowhere to be found.
Before she can locate Dusty and regain her powers, Kat has to navigate a slave-like existence at the camp. While this section does feel a little deflating given that Kat’s powers are the first thing you want to explore, it thankfully doesn’t last too long. If nothing else, the intro helps set up the new cast of characters and a new conflict for Kat and Syd to wrestle with.
After you break out of the intro, you’re brought to a divided society where the rich live in opulence above the clouds, while the poor try to scrape by below. In working to bridge the gap between the two social classes, you come to realize that the poor aren’t the ill-natured thieves the rich make them out to be; the rich, on the other hand, are mostly as slimy and greedy as you imagine. The examinations of these topics aren’t revelatory or groundbreaking–Gravity Rush 2 loves silver linings–but they lend a small amount of relatability to the otherworldly realm.
Given the open world nature of the game, you’re free to explore its locales and pick from a selection of activities and missions that are automatically pinpointed on your map. With over 20 episodes and at least 40 side missions–including skill trials–boredom is never an issue. Through expressive avatars and minimal but effective voice acting–and the joy of flight, naturally–even basic missions are a treat and rarely feel like filler content. Gravity Rush 2 goes to great lengths to connect side missions back to the main story too, revealing new facets of seemingly minor characters that enhance your understanding of their position in society–and, thus, your perspective of the bigger picture.
Simply flying around the world is a captivating experience in its own right, both for the innate thrill of flight and for the beauty of your surroundings.
The only types of missions that wear thin are those that force basic stealth rules. Sometimes you have to sneak around a soldier-filled base and avoid their sightlines while you make for a key location, or you may trail a suspicious character to gather intel. These brief missions aren’t very challenging, but should you be spotted, you’re immediately kicked back to the last checkpoint. They aren’t a major intrusion, but by and large, these missions fail to leverage Kat’s strengths, and come across as dull compared to the rest of her high-flying adventure.
Truth be told, you don’t even need to engage with missions to enjoy yourself. Simply flying around the world is a captivating experience in its own right, both for the innate thrill of flight and for the beauty of your surroundings. The world pops with color and character, building on the first game’s strong, Studio Ghibli-esque visuals. And basic exploration is once again made more rewarding by the hundreds of gems–used for ability upgrades–strewn across the map. Kat flies with an awkward grace that feels totally unique, and though you occasionally need to let her fall for a second or two to recharge her power during a long flight, there’s an undeniable sense of freedom to flying through the world, unencumbered by architecture or enemies.
Beyond littering the world with collectible gems, Gravity Rush 2 incentivizes casual exploration by introducing emergent events, generated by other people playing the game. On a regular basis, notifications pop up when you’re flying to and fro, indicating a nearby treasure hunt. Accept the challenge and you’re whisked away to a specific point on the map. You’re then given a chance to examine a photo of the relevant location in order to pinpoint landmarks and zero in on a treasure chest within a limited amount of time. This provides a fun diversion that tests your observation and navigation skills in new ways, and if you generate a photo that helps another player successfully locate some treasure, you’ll receive a small reward for your work. It’s a small touch, but treasure hunts also reinforce the feeling that you’re part of world that operates independently of your adventure, befitting the new large, lively open world.
After more than a dozen hours of helping the poor, supporting your friends, and uncovering corruption at the highest levels of government, Gravity Rush 2 concludes its new tale before revisiting Kat’s origin story. In the final act, you discover the answers to the biggest mysteries laid out in both games. You have to do a little detective work at first to get the ball rolling, but once you find the path forward, Gravity Rush 2 delivers a series of exciting, over-the-top boss battles–one with an unmistakable likeness to the olympic stadium battle from Akira–and narrative-heavy scenes that delve into Kat’s pre-Gravity Rush past.
With a wealth of stories big and small to chew on, Gravity Rush 2 fulfills the needs of both a sequel and a prequel. The first Gravity Rush had enough going for it, but Gravity Rush 2 is stuffed with things to love. While its stealth missions are lame and it’s disappointing to experience camera issues from time to time, Gravity Rush 2 excels in almost every other respect, making its predecessor seem quaint by comparison. This is easily one of the best video game sequels in recent memory, and an adventure truly worthy of its excellent lead character.
There’s a particular genre of arcade action game that has truly fallen off the radar in recent times–games where you control a character from a third-person view on a 2D plane, shooting objects and enemies in the background with a reticle while dodging shots and obstacles in the foreground.
I’ve heard this odd genre called many names: “shooting gallery,” “Cabal-like” (after the game that popularized it), but perhaps most commonly “crosshair shooter.” But while traditional platformers, run-and-guns, and even scrolling shooters have experienced something of a recent resurgence in popularity, the crosshair shooter has all but vanished from modern gaming–which is why the release of Wild Guns Reloaded is so exciting to retro-minded players.
Wild Guns Reloaded welcomes back Clint and Annie, the dynamic shooting duo from the 1994 original game, as they prepare to blast their way through several levels of gangsters and big, bad biomechanical bosses while collecting loot and dodging gunshots and the occasional creeper with an old-fashioned knife. This time around, they’re joined by a pair of surprising new heroes: Bullet, an adorable long-haired dachshund who fights foes with a special robot drone, and Doris, a large gal whose expertise with explosives ensures that she isn’t going to be taking any crap from anyone.
Similarly to many games of its ilk, Wild Guns Reloaded has a control scheme built around aiming when you’re shooting and dodging when you’re not. Pressing the fire button once also lets you melee attack close-range enemies and pick up sticks of dynamite thrown at your feet (which you can then lob back for a sweet, sweet payback explosion). By shooting objects and power-ups that appear, you can change your weapon briefly and collect bonuses. You can move and jump (and double-jump) when you’re not shooting, but when you’re in the middle of firing, you can only roll. Knowing when to roll–and when to just put the gun away to get the hell out of enemy firing range–is crucial to survival, because in Wild Guns, a single hit means a life lost.
You’ll be using all your skills to battle a rogues’ gallery of weird and wacky enemies: lanky gunslinging robots, divers with rocket launchers, jetpack jockeys, and creepy-crawly monsters. The humorous atmosphere of the game gives Wild Guns Reloaded a distinct personality quite unlike anything else, and the new characters, Bullet and Doris, also add a lot both in terms of style and gameplay, since they control very differently from Clint and Annie.
New stages, like the Underground area, fit in perfectly with the rest of the game and even add interesting visual quirks like pixel “fog” that obscures visibility.
Bullet has the unique ability to move freely (rather than being limited to dodging) when attacking, though his range when holding down the fire button is extremely limited. He can also hover using his robot drone, which makes him the most maneuverable of the bunch. Doris lacks traditional rapid-fire shots; Instead, she charges up a grenade attack when the fire button is held down, with the attack’s power (and the score multiplier) increasing the longer the button is pressed. While she’s slower in normal movements, she has a very fast, multi-part dodge attack, as well as a special jumping melee strike. Both characters offer new, distinct, fun ways to play through the game.
Visually, Wild Guns Reloaded is every bit as beautiful as it was in 1994. There’s a tremendous amount of artistry and care poured into these hand-drawn pixel visuals, and little touches–like the fact that many objects in the background take visible damage from all the gunplay going on around them–give the game’s world an exciting, lively feel. Compared to the original SNES version, many of the game’s backgrounds and objects have been retouched while keeping true to the visual style and limitations of the 16-bit era. In some cases, this was done to accommodate the widescreen HD format, while in other cases, it feels like it was done just because the developers wanted to go the extra mile to really make things shine. New stages, like the Underground area, fit in perfectly with the rest of the game and even add interesting visual quirks like pixel “fog” that obscures visibility.
Being an old-school styled arcade game, Wild Guns doesn’t offer much in the way of tutorials or even warmups: You’re thrust straight into the action and expected to learn the ropes as you play more and more. Increasing difficulty levels offer new and different stage arrays, as well as limit your amount of lives and emergency smart bombs. Make no mistake: Even on Easy difficulty, Wild Guns Reloaded is one tough game. True to the genre’s arcade roots, if you’re going to try and clear the game in a single credit or go for high scores, you’re going to have to put in a lot of practice learning enemy patterns, movement timing, and locations of hidden goodies.
And that’s where the fun in this game lies: growing from a bumbling would-be marksman to an expert gunslinger as you invest the time and effort to learn the game’s intricacies. Given the amount of hidden secrets scattered in every environment, as well as the differences in play styles between the characters, there’s a lot to learn and uncover. Many of the unlockable rewards are behind skill walls, tool: For example, you can’t access the original SNES soundtrack unless you manage to beat the game without continues, which is no small feat.
Wild Guns is a fantastic representative of an underappreciated genre with an adorable pup riding a robot. What’s not to love?
But if you feel like you need a helping hand–or paw, as the case may be–you can bring along three friends for some four-player action. Things get awfully chaotic in this mode with four characters zipping around the screen, but working together with friends to take down waves of enemies is a rollicking good time. Unfortunately, there’s no online multiplayer option, so you’ll need to have your partners all on the same couch to enjoy the frenetic fun.
Between the fine-tuned gameplay, the enhanced visuals and sound, the four-player fun, and the new gameplay-changing character additions, Wild Guns Reloaded is one of the best retro reissues we’ve yet seen on the PS4. It’s also fantastic representative of an underappreciated genre with an adorable pup riding a robot. What’s not to love?
Fans of old-school platformers have had plenty of choices lately, and WayForward’s Shantae: Half-Genie Hero–the latest in the series that debuted on the Game Boy Color–is yet another great addition to the list. The franchise has received two excellent, intentionally retro-styled adventures on modern platforms, but Half-Genie Hero mixes in modern 3D graphics with its traditional 2D gameplay, which makes for a game that straddles the line between new and old.
The Shantae series always had a distinct, engaging tongue-in-cheek quality to them, and that’s on full display here. Shantae herself is a self-aware caricature of 16-bit icons–she’s moody and snarky and giddy in equal measure and the side characters are all fun in their own way. The plot feels a little thrown together at times, quickly establishing characters and story elements with little explanation. Admittedly, depth of story usually isn’t the main element we look for in a classic side-scroller, but the overall story feels a bit weaker here than it did in Shantae’s previous outings.
In her latest adventure, Shantae is still the Guardian Genie of Scuttle Town, a place that’s constantly overrun with comically inept pirates, and regularly falls victim to crazy magical schemes. The town is once more attacked by the self-proclaimed Queen of the Seven Seas, Risky Boots. It seems Ms. Boots is after a set of Shantae’s uncle’s blueprints for a machine that has the power to protect the entire town–or cause immense destruction.
The reason this otherwise straightforward story feels disjointed is the relatively non-linear structure of the game. Shantae picks up new abilities by completing numerous mini-missions that pop up around Scuttle Town, and these abilities–usually in the form of transformation dances–enable Shantae to reach new areas within various levels.
It quickly becomes clear that these side-quest-like missions are integral to finishing the main story objectives, creating occasional confusion about what you should focus on at any given moment. There’s no map or real way to keep track of multiple ongoing quests, only an NPC who provides general guidance. But even that doesn’t always help. Some active goals simply can’t be completed until you acquire a specific power by completing one of the aforementioned mini-missions, though it’s a guessing game to determine which one will give you the specific skill you need.
Levels expand beyond the town and into locations like deserts, factories, lush forests, waterfalls, and temples. Each world is chock-full of secrets to find, requiring multiple return trips to discover every last one. This process can get a bit repetitive, especially during the opening hour or two when you’re mostly going back and forth between the same few map areas, but the influx of new abilities helps build momentum over time. Thankfully, a couple quality-of-life options open up later that help expedite the process: you can buy a dance move that allows you to jump straight to the next part of a world, skipping superfluous sections altogether. Once you’ve acquired the target item or ability, you can then instantly warp back to town.
Generally, Half-Genie Hero is an accessible game, although you will stumble across a few challenging platforming sections. A big part of the gameplay’s appeal comes from Shantae’s eight transformation dances. Turning into a monkey lets her jump much farther and climb walls, while a spider transformation gives her the ability to scurry across ceilings. As an elephant, Shantae can bash breakable blocks, and no item or enemy is safe underwater when she activates her mermaid or crab forms. Of course, Shantae still has her familiar hair-whip attack, and she can use magic to throw fireballs, create lightning, and form special shields.
The variety of powers at your disposal is one of Half-Genie Hero’s strong suits, allowing for a lot of fun experimentation during combat. Like many classic action-platformers, enemies mindlessly move back and forth and attack on sight, with little apparent AI. Similarly, boss battles are entirely pattern-based, but fighting cartoonishly massive enemies is riotously fun–a giant worm, huge mermaid, airships, and other absurd, screen-filling battles await.
So, while some minor structural squabbles hamper Half-Genie Hero’s pace, the overall game remains a delightful experience. The move to sharp graphics makes the game feel modern, yet the series’ old-school charm lives on in the vibrant colors and expressive character animations. And the soundtrack is surprisingly catchy–with hilariously passionate (if minimal) voice work and a great score. It’s easy to get wrapped up in fighting and platforming through Half-Genie Hero, which speaks to the pedigree of the series, and how well it translates to Shantae’s latest adventure.
On the surface, Stardew Valley is a game about farming, but there are more adventures awaiting curious players beyond cultivating a rich and bountiful garden. From mining and fishing to making friends and falling in love, Stardew Valley’s Pelican Town is stuffed with rewarding opportunities. As modern day woes give way to pressing matters on the farm and within your newfound community, Stardew Valley’s meditative activities often lead to personal reflection in the real world. It’s a game that tugs at your curiousity as often as it does your heart.
Your journey begins in the field, cleaning up a neglected and rundown farm. Plotting and planning your garden requires care and attention to detail. What fruits and vegetables do you grow? How much room does each plant need? How do you protect your crops from nature’s troublemakers? You learn through practice, and while the basics are easy to grasp, you quickly need to figure out the best way to outfit your budding farm with new tools and equipment.
Upgrades help speed up essential tasks like tilling the earth and watering your plants, but advanced equipment becomes a necessity when the time comes to break down large rocks and stumps that stick out in your garden. The crafting menu also entices you with optional time-saving tools; automated sprinklers that water the crops every morning, artisan equipment to make preserves or beer out of your harvest, and refineries, such as a furnace for turning ore into metal bars. If you want something, you can make it, you just have to scour your environment for the necessary components.
As your farm improves, you gain the ability to raise livestock. Animals are expensive to buy and maintain, and the barn they live in isn’t cheap either. You start small, with a barn just big enough for a few chickens and ducks. But if you run an efficient and bountiful garden, you can eventually afford to upgrade to a bigger barn and keep hearty livestock like pigs, cows and sheep.
You have to feed your stock every day, which can get expensive, but they will eventually begin to produce eggs, milk and other rewards for all your hard work. Beyond their monetary value, animals are simply endearing to be around. Give them a name and work a little petting time into your routine; before you know it, your commodities have become your friends. Like your crops, the goodies livestock produce give you a sense of accomplishment, but their companionship is a different yet equally valuable reward.
The goodies livestock produce give you a sense of accomplishment, but their companionship is a different yet equally valuable reward.
When your farm is healthy and your equipment set, Stardew Valley opens up and your routine expands: after you water your plants, feed your animals and tidy up in the morning, you get to head out in search of adventure and friendship. There’s a mine north of Pelican Town with a seemingly endless bounty of buried treasure, but also danger. Combat is simple–a plain swipe of a sword will brush back most common monsters–but the dangers you face grow as you delve deeper into the mine, pushing your basic tactics to the limit.
There’s a risk/reward relationship to seeking out valuable treasure, as it becomes increasingly more difficult to defend yourself from procedurally generated creatures the deeper you go. You hit checkpoints–in the form of elevator stops–every few floors, which both encourages you to keep going and to return in the future in search of grander rewards as checkpoints allow you to skip past the mine’s early levels. The precious gems you find can be sold for profit, donated to a museum that will conduct and share research, or simply hoarded in a chest to be fawned over down the road.
When you grow weary of toiling underground, you can also spend time fishing on lakes, streams and coastal beaches. Fishing in Stardew Valley is straightforward–you use one button to reel in a fish and let go when the line is tense–but it gives you a chance to soak in your surroundings and experience the joys of catching a wide array of fish unique to specific seasons and locations. It’s a calming experience at sunset after a long day that gives you a chance to reflect on your progress and daydream about adventures to come.
Stardew Valley constantly encourages you to explore, be it mining, foraging for fruit in the woods, or collecting seashells, and your curiosity is amply rewarded. Every hidden area you find, every train track you follow, leads to new sights and discoveries that add detail and color to the world around you. Yet as fulfilling as farming and exploring are, visiting Pelican Town’s community center pulls you ever deeper into your new life. Like your farm at the beginning of the game, the community center needs a little attention at first: you’re sent out on fetch quests to gather the necessary materials to fuel its reconstruction.
Outside of the community center, the rest of Pelican Town’s inhabitants also need your help. In working together to achieve small goals, you grow to understand your neighbors’ personalities and identify what makes them tick. Some are pursuing their hopes and dreams, while others fight day to day to overcome personal obstacles; others are quirky creatures of habit that round out the community’s overall identity.
Relationships are gauged by a heart meter, and getting to a certain number of hearts results in a cutscene that offer a closer look into your new friends’ lives. Offering gifts and completing tasks from a board in the center of town are easy ways to increase your connections, and slowly but surely you’re allowed in the inner circle of people’s otherwise private lives. You may befriend a father named Kent who’s dealing trauma after years at war. He’s working on his temper and trying to bond with his child after being away from home. The child, whom you meet in hiding in his parent’s basement, is quiet and introverted. But when you put the time in to get to know him, he reveals that he actually doesn’t mind being alone, even though he believes that he’s at odds with his parents. These personal moments are touching, and encourage you to spend more time getting to know the people around you.
And if you decide to enter Pelican Town’s dating scene, don’t be surprised if you end up with butterflies in your stomach. Giving your crush the right gift and seeing the joy on their face makes you genuinely happy, but you have to put yourself out there first. Sure, working with townsfolk in general is a good way to understand the ins and outs of potential suitors, but no amount of preparation diminishes the impact of anxiously delivering a heartfelt gesture. Because you’ve invested so much time and energy into forging relationships, you get nervous when you expose your feelings, regardless of the fact that you’re courting a pixelated crush. Through strong writing and characterization, Stardew Valley stirs up surprising feelings: when your date shares his umbrella in the rain, you know he’s the one.
Through strong writing and characterization, Stardew Valley stirs up surprising feelings
Romance often buds during community events that take place each season. In spring you’ll attend a dance and try to get someone to be your partner. At the summer luau you’ll have to bring something delicious from your harvest for the community potluck. At each of these events you’ll have time to get to know the people within the community and see them in a different light than usual. Although it’s lovely to see them outside of their usual activities, it’s a shame year after year the comments and actions of the villagers remain the same. Still, you can learn from previous years, adding better food to the potluck and finally earning the affection of your favorite dance partner.
Mastering farming and earning the affection of your special someone in Stardew Valley are fulfilling journeys filled with surprising and rewarding challenges. But when you have those accomplishments under your belt, it’s hard to know where you go from there. Divorce is an option, but if you put a lot of yourself into finding a spouse, dumping them merely to extend your game doesn’t seem like an attractive path. Besides, with your money-making farm, cash isn’t a concern either.
Ultimately, Stardew Valley’s eventful world is so inviting that you may opt to simply start from scratch and forge a new life. For anyone who played Stardew Valley earlier this year when it launched on PC, the new console ports capture the same magic that made the game special all those months ago, and allows you to play from the comfort of your couch. Controls on console are essentially identical to what you get from the PC version’s controller support. Console versions also get the fully updated version of Stardew Valley, which includes the aforementioned divorce option, new farm maps that focus on different skills, and a handful of new mechanics that add appreciable wrinkles to life on the farm and about town.
The sheer number of things to accomplish in Stardew Valley can keep you interested beyond the original three in-game years you need to reach the end of your story–you may just want to start over rather than continue on. You’ll work quite hard to gather enough money for your first horse, so that you can quickly move to the mines to get a mineral to complete a bundle at the community center. It’s all centered around whatever it is you want to accomplish that day. And that’s truly what makes Stardew Valley such a lovely experience, it encourages you to go out and be the best you can be, in whichever task that brings you the most joy. Stardew Valley motivates naturally, with blissful optimism.